You know an Edgar Wright film when you see one, even if Simon Pegg isn’t nearby — the distinctive (and often heartfelt) sense of humor, the impressive editing, the momentum, and the predictably awesome soundtrack, all working in time to deliver a film that’s remarkably poignant for such a well-oiled machine. Baby Driver might not be quite what you’re expecting from the director of Scott Pilgrim and Shaun of the Dead, and yet it’s entirely what you’re hoping to see. Despite some of its unexpected qualities and low-key visual style, it is perhaps the most Edgar Wright film to date.
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